Zozan, 2. Untersuchungen zu mobilität durch multimediale dokumentationen,kunstinterventionen,kunstbasierte forschung und (re-) präsentationen [Approaching mobility via multi-media documentations, art interventions, art-based research and (re)presentations] / Songül Boyraz (2022)

Public ISBD Titre de série : Zozan, 2 Titre : Untersuchungen zu mobilität durch multimediale dokumentationen,kunstinterventionen,kunstbasierte forschung und (re-) präsentationen [Approaching mobility via multi-media documentations, art interventions, art-based research and (re)presentations] : Kunst intervention 2 [Art intervention 2] (27.06.-03.07.2022 VORARLBERG) Type de document : texte imprimé Auteurs : Songül Boyraz, Artiste ; Mehmet Emir, Photographe ; Zozan Project Team, Directeur de publication ; Werner Finke, Photographe Editeur : Vienna : Institute for Social Anthropology of Austrian Academiy of Sciences Année de publication : 2022 Importance : 24 p. Présentation : Photos Note générale : L'Equipe du projet: Mehmet Emir, Eva Kolm, Maria Six-Hohenbalken (chef de projet), Eva Stockinger avec le soutien d'Eszter Ágota Hárs et de Marina Stoilova Langues : Allemand (ger) Index. décimale : 1400 Huner, giştî | Art, général | Art, general | هونەر، گشتی Résumé : Zozan [sᴐsa:n] is a Kurdish term meaning summer pasture. Zozan refers to the traditional way of life of transhumance in summer pastures, a mobile life with relative freedom. The term is also used as a first name and refers to picturesque mountain landscapes. The ZOZAN project combines three thematic areas: past and present mobilities of Kurds, art production, and representation in transnational spaces. The interdisciplinary project approach of a “critical anthropology of art” combines artistic practice, (visual) anthropology, and art-based research to document, analyze, and (re)present traditional and modern forms of migration(s) in Kurdish societies. In doing so, transnational connections and flows are made visible. Increasingly, the production of artwork and visual media seems to play a crucial role in questions of (multiple) belonging(s) and memory work in transnational space. ZOZAN explores the following questions: Can visual art capture the highly fluid and dynamic memory and identity work of transnational communities? What role can art play in the construction of “postmemories” and historical narratives? How can art production cross ethnic/national boundaries and build bridges? What role can artistic productions play in the production of commonality and belonging in resident societies? ZOZAN takes as its starting point two comprehensive multimedia collections on Kurdish societies created between 1968 and 2015. The Werner Finke Collection and the Mehmet Emir Collection are located at the intersection of art and social anthropology and are unique documentations of everyday Kurdish cultures. They reflect traditional ways of life and sociopolitical transformations. One goal of this project is to produce excerpts of these two collections that are digitized and accessible online and in print. One working approach of the project is to organize artistic interventions based on the two extensive collections. These interventions will be organized as workshops with (non-)Kurdish artists and select audiences in various Kurdish and European institutions. In this way, highly fluid processes of identity, mobility, and memory constructions can be captured, and topics such as past ways of life, cultural heritage, and current challenges of globalization can be discussed. The aim of these interventions is to elaborate on forms of representation that encompass the collections as well as the recent engagement with cultural heritage, identities, and forms of memory. The results of the workshops will be presented to the public in individual exhibitions and finally as an overall show. This approach is intended to involve the different target groups in these forms of representation. In addition to the exhibitions, a series of publications, a website, and a film are also planned. Permalink : https://pmb.institutkurde.org/opac_css/index.php?lvl=notice_display&id=15085 Zozan, 2. Untersuchungen zu mobilität durch multimediale dokumentationen,kunstinterventionen,kunstbasierte forschung und (re-) präsentationen [Approaching mobility via multi-media documentations, art interventions, art-based research and (re)presentations] : Kunst intervention 2 [Art intervention 2] (27.06.-03.07.2022 VORARLBERG) [texte imprimé] / Songül Boyraz, Artiste ; Mehmet Emir, Photographe ; Zozan Project Team, Directeur de publication ; Werner Finke, Photographe . - Vienna : Institute for Social Anthropology of Austrian Academiy of Sciences, 2022 . - 24 p. : Photos. L'Equipe du projet: Mehmet Emir, Eva Kolm, Maria Six-Hohenbalken (chef de projet), Eva Stockinger avec le soutien d'Eszter Ágota Hárs et de Marina Stoilova Langues : Allemand (ger) Index. décimale : 1400 Huner, giştî | Art, général | Art, general | هونەر، گشتی Résumé : Zozan [sᴐsa:n] is a Kurdish term meaning summer pasture. Zozan refers to the traditional way of life of transhumance in summer pastures, a mobile life with relative freedom. The term is also used as a first name and refers to picturesque mountain landscapes. The ZOZAN project combines three thematic areas: past and present mobilities of Kurds, art production, and representation in transnational spaces. The interdisciplinary project approach of a “critical anthropology of art” combines artistic practice, (visual) anthropology, and art-based research to document, analyze, and (re)present traditional and modern forms of migration(s) in Kurdish societies. In doing so, transnational connections and flows are made visible. Increasingly, the production of artwork and visual media seems to play a crucial role in questions of (multiple) belonging(s) and memory work in transnational space. ZOZAN explores the following questions: Can visual art capture the highly fluid and dynamic memory and identity work of transnational communities? What role can art play in the construction of “postmemories” and historical narratives? How can art production cross ethnic/national boundaries and build bridges? What role can artistic productions play in the production of commonality and belonging in resident societies? ZOZAN takes as its starting point two comprehensive multimedia collections on Kurdish societies created between 1968 and 2015. The Werner Finke Collection and the Mehmet Emir Collection are located at the intersection of art and social anthropology and are unique documentations of everyday Kurdish cultures. They reflect traditional ways of life and sociopolitical transformations. One goal of this project is to produce excerpts of these two collections that are digitized and accessible online and in print. One working approach of the project is to organize artistic interventions based on the two extensive collections. These interventions will be organized as workshops with (non-)Kurdish artists and select audiences in various Kurdish and European institutions. In this way, highly fluid processes of identity, mobility, and memory constructions can be captured, and topics such as past ways of life, cultural heritage, and current challenges of globalization can be discussed. The aim of these interventions is to elaborate on forms of representation that encompass the collections as well as the recent engagement with cultural heritage, identities, and forms of memory. The results of the workshops will be presented to the public in individual exhibitions and finally as an overall show. This approach is intended to involve the different target groups in these forms of representation. In addition to the exhibitions, a series of publications, a website, and a film are also planned. Permalink : https://pmb.institutkurde.org/opac_css/index.php?lvl=notice_display&id=15085

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
IKPBRO103089	BR 3089	Brochure	2- Bureau bibliothécaire | Librarian's office	2.03 Boîtes archives brochures	Exclu du prêt

Zozan, 1. Untersuchungen zu mobilität durch multimediale dokumentationen,kunstinterventionen,kunstbasierte forschung und (re-) präsentationen [Approaching mobility via multi-media documentations, art interventions, art-based research and (re)presentations] / Lisl Ponger (2022)

Public ISBD Titre de série : Zozan, 1 Titre : Untersuchungen zu mobilität durch multimediale dokumentationen,kunstinterventionen,kunstbasierte forschung und (re-) präsentationen [Approaching mobility via multi-media documentations, art interventions, art-based research and (re)presentations] : Kunst intervention 1 [Art intervention 1] (20.-29.05.2022 WIEN) Type de document : texte imprimé Auteurs : Lisl Ponger, Artiste ; Mehmet Emir, Photographe ; Zozan Project Team, Directeur de publication ; Werner Finke, Photographe Editeur : Vienna : Institute for Social Anthropology of Austrian Academiy of Sciences Année de publication : 2022 Importance : 28 p. Présentation : Photos Note générale : L'Equipe du projet: Mehmet Emir, Eva Kolm, Maria Six-Hohenbalken (chef de projet), Eva Stockinger avec le soutien d'Eszter Ágota Hárs et de Marina Stoilova Langues : Allemand (ger) Index. décimale : 1400 Huner, giştî | Art, général | Art, general | هونەر، گشتی Résumé : Zozan [sᴐsa:n] is a Kurdish term meaning summer pasture. Zozan refers to the traditional way of life of transhumance in summer pastures, a mobile life with relative freedom. The term is also used as a first name and refers to picturesque mountain landscapes. The ZOZAN project combines three thematic areas: past and present mobilities of Kurds, art production, and representation in transnational spaces. The interdisciplinary project approach of a “critical anthropology of art” combines artistic practice, (visual) anthropology, and art-based research to document, analyze, and (re)present traditional and modern forms of migration(s) in Kurdish societies. In doing so, transnational connections and flows are made visible. Increasingly, the production of artwork and visual media seems to play a crucial role in questions of (multiple) belonging(s) and memory work in transnational space. ZOZAN explores the following questions: Can visual art capture the highly fluid and dynamic memory and identity work of transnational communities? What role can art play in the construction of “postmemories” and historical narratives? How can art production cross ethnic/national boundaries and build bridges? What role can artistic productions play in the production of commonality and belonging in resident societies? ZOZAN takes as its starting point two comprehensive multimedia collections on Kurdish societies created between 1968 and 2015. The Werner Finke Collection and the Mehmet Emir Collection are located at the intersection of art and social anthropology and are unique documentations of everyday Kurdish cultures. They reflect traditional ways of life and sociopolitical transformations. One goal of this project is to produce excerpts of these two collections that are digitized and accessible online and in print. One working approach of the project is to organize artistic interventions based on the two extensive collections. These interventions will be organized as workshops with (non-)Kurdish artists and select audiences in various Kurdish and European institutions. In this way, highly fluid processes of identity, mobility, and memory constructions can be captured, and topics such as past ways of life, cultural heritage, and current challenges of globalization can be discussed. The aim of these interventions is to elaborate on forms of representation that encompass the collections as well as the recent engagement with cultural heritage, identities, and forms of memory. The results of the workshops will be presented to the public in individual exhibitions and finally as an overall show. This approach is intended to involve the different target groups in these forms of representation. In addition to the exhibitions, a series of publications, a website, and a film are also planned. Permalink : https://pmb.institutkurde.org/opac_css/index.php?lvl=notice_display&id=15086 Zozan, 1. Untersuchungen zu mobilität durch multimediale dokumentationen,kunstinterventionen,kunstbasierte forschung und (re-) präsentationen [Approaching mobility via multi-media documentations, art interventions, art-based research and (re)presentations] : Kunst intervention 1 [Art intervention 1] (20.-29.05.2022 WIEN) [texte imprimé] / Lisl Ponger, Artiste ; Mehmet Emir, Photographe ; Zozan Project Team, Directeur de publication ; Werner Finke, Photographe . - Vienna : Institute for Social Anthropology of Austrian Academiy of Sciences, 2022 . - 28 p. : Photos. L'Equipe du projet: Mehmet Emir, Eva Kolm, Maria Six-Hohenbalken (chef de projet), Eva Stockinger avec le soutien d'Eszter Ágota Hárs et de Marina Stoilova Langues : Allemand (ger) Index. décimale : 1400 Huner, giştî | Art, général | Art, general | هونەر، گشتی Résumé : Zozan [sᴐsa:n] is a Kurdish term meaning summer pasture. Zozan refers to the traditional way of life of transhumance in summer pastures, a mobile life with relative freedom. The term is also used as a first name and refers to picturesque mountain landscapes. The ZOZAN project combines three thematic areas: past and present mobilities of Kurds, art production, and representation in transnational spaces. The interdisciplinary project approach of a “critical anthropology of art” combines artistic practice, (visual) anthropology, and art-based research to document, analyze, and (re)present traditional and modern forms of migration(s) in Kurdish societies. In doing so, transnational connections and flows are made visible. Increasingly, the production of artwork and visual media seems to play a crucial role in questions of (multiple) belonging(s) and memory work in transnational space. ZOZAN explores the following questions: Can visual art capture the highly fluid and dynamic memory and identity work of transnational communities? What role can art play in the construction of “postmemories” and historical narratives? How can art production cross ethnic/national boundaries and build bridges? What role can artistic productions play in the production of commonality and belonging in resident societies? ZOZAN takes as its starting point two comprehensive multimedia collections on Kurdish societies created between 1968 and 2015. The Werner Finke Collection and the Mehmet Emir Collection are located at the intersection of art and social anthropology and are unique documentations of everyday Kurdish cultures. They reflect traditional ways of life and sociopolitical transformations. One goal of this project is to produce excerpts of these two collections that are digitized and accessible online and in print. One working approach of the project is to organize artistic interventions based on the two extensive collections. These interventions will be organized as workshops with (non-)Kurdish artists and select audiences in various Kurdish and European institutions. In this way, highly fluid processes of identity, mobility, and memory constructions can be captured, and topics such as past ways of life, cultural heritage, and current challenges of globalization can be discussed. The aim of these interventions is to elaborate on forms of representation that encompass the collections as well as the recent engagement with cultural heritage, identities, and forms of memory. The results of the workshops will be presented to the public in individual exhibitions and finally as an overall show. This approach is intended to involve the different target groups in these forms of representation. In addition to the exhibitions, a series of publications, a website, and a film are also planned. Permalink : https://pmb.institutkurde.org/opac_css/index.php?lvl=notice_display&id=15086

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
IKPBRO103090	BR 3090	Brochure	2- Bureau bibliothécaire | Librarian's office	2.03 Boîtes archives brochures	Exclu du prêt

Zozan, 3. Approaching mobility via multi-media documentations, art interventions, art-based research and (re)presentations / Rojda Tuğrul (2022)

Public ISBD Titre de série : Zozan, 3 Titre : Approaching mobility via multi-media documentations, art interventions, art-based research and (re)presentations : Art intervention 3 (18.-20.11.2022 VIENNA) Type de document : texte imprimé Auteurs : Rojda Tuğrul, Commissaire d'exposition ; Mehmet Emir, Photographe ; Zozan Project Team, Directeur de publication ; Werner Finke, Photographe Editeur : Vienna : Institute for Social Anthropology of Austrian Academiy of Sciences Année de publication : 2022 Importance : 28 p. Présentation : Photos Note générale : L'Equipe du projet: Mehmet Emir, Eva Kolm, Maria Six-Hohenbalken (chef de projet), Eva Stockinger avec le soutien d'Eszter Ágota Hárs et de Marina Stoilova Langues : Anglais (eng) Index. décimale : 1400 Huner, giştî | Art, général | Art, general | هونەر، گشتی Note de contenu : The third Zozan art-based workshop took place under the direction of the artist Rojda Tuğrul at the Austrian Museum of Folk Art (Vienna)in November 2022. This workshop spoke to people with experience of dispossession as well as people carrying the memories of dispossessed ancestors. It initiated a modest exercise of imagining different worlds within the world we live in. Permalink : https://pmb.institutkurde.org/opac_css/index.php?lvl=notice_display&id=15260 Zozan, 3. Approaching mobility via multi-media documentations, art interventions, art-based research and (re)presentations : Art intervention 3 (18.-20.11.2022 VIENNA) [texte imprimé] / Rojda Tuğrul, Commissaire d'exposition ; Mehmet Emir, Photographe ; Zozan Project Team, Directeur de publication ; Werner Finke, Photographe . - Vienna : Institute for Social Anthropology of Austrian Academiy of Sciences, 2022 . - 28 p. : Photos. L'Equipe du projet: Mehmet Emir, Eva Kolm, Maria Six-Hohenbalken (chef de projet), Eva Stockinger avec le soutien d'Eszter Ágota Hárs et de Marina Stoilova Langues : Anglais (eng) Index. décimale : 1400 Huner, giştî | Art, général | Art, general | هونەر، گشتی Note de contenu : The third Zozan art-based workshop took place under the direction of the artist Rojda Tuğrul at the Austrian Museum of Folk Art (Vienna)in November 2022. This workshop spoke to people with experience of dispossession as well as people carrying the memories of dispossessed ancestors. It initiated a modest exercise of imagining different worlds within the world we live in. Permalink : https://pmb.institutkurde.org/opac_css/index.php?lvl=notice_display&id=15260

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
IKPBRO103088	BR 3088	Livre	2- Bureau bibliothécaire | Librarian's office	2.03 Boîtes archives brochures	Exclu du prêt

70 Sal Karikatur dar Iran ; ٧٠ سال كاریكاتور در ایران / Journal "Azerbaijan"

Public ISBD Titre : 70 Sal Karikatur dar Iran ; ٧٠ سال كاریكاتور در ایران : Bimunasabate nimaishgah ; بمناسبت نمایشكاه Type de document : texte imprimé Auteurs : Journal "Azerbaijan", Auteur ; روزنامه‌ حشرات الارض, Auteur Editeur : Journal "Azerbaïdjan" ; روزنامه‌ اذربايجان Importance : 56 p. Langues : Persan moderne (per) Index. décimale : 1400 Huner, giştî | Art, général | Art, general | هونەر، گشتی Permalink : https://pmb.institutkurde.org/opac_css/index.php?lvl=notice_display&id=1285 70 Sal Karikatur dar Iran ; ٧٠ سال كاریكاتور در ایران : Bimunasabate nimaishgah ; بمناسبت نمایشكاه [texte imprimé] / Journal "Azerbaijan", Auteur ; روزنامه‌ حشرات الارض, Auteur . - Journal "Azerbaïdjan" ; روزنامه‌ اذربايجان, [s.d.] . - 56 p. Langues : Persan moderne (per) Index. décimale : 1400 Huner, giştî | Art, général | Art, general | هونەر، گشتی Permalink : https://pmb.institutkurde.org/opac_css/index.php?lvl=notice_display&id=1285

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
IKPLIV106400	1400 JOU SAL	Livre	2- Bureau bibliothécaire | Librarian's office	2.01 Etagères générales bureau bibliothécaire	Exclu du prêt

Arts de l'Islam (DL 2009)

Public ISBD Titre : Arts de l'Islam : chefs-d'oeuvre de la collection Khalili ; [exposition], Institut du monde arabe, Paris, 6 octobre 2009-14 mars 2010 Type de document : texte imprimé Auteurs : Institut du monde arabe (Paris, France), Auteur ; Michael Rogers (1935-....), Directeur de publication ; Khalili family trust, Auteur Editeur : Paris [France] : Institut du Monde Arabe (IMA) Année de publication : DL 2009 Autre Editeur : Hazan Importance : 1 vol. (399 p.) Présentation : ill. en coul., couv. ill. en coul. Format : 32 cm ISBN/ISSN/EAN : 978-2-7541-0401-2 Prix : 39 EUR Note générale : Bibliogr. p. 393-395. Index Langues : Français (fre) Langues originales : Anglais (eng) Index. décimale : 1400 Huner, giştî | Art, général | Art, general | هونەر، گشتی Permalink : https://pmb.institutkurde.org/opac_css/index.php?lvl=notice_display&id=630 Arts de l'Islam : chefs-d'oeuvre de la collection Khalili ; [exposition], Institut du monde arabe, Paris, 6 octobre 2009-14 mars 2010 [texte imprimé] / Institut du monde arabe (Paris, France), Auteur ; Michael Rogers (1935-....), Directeur de publication ; Khalili family trust, Auteur . - Paris [France] : Institut du Monde Arabe (IMA) : Hazan, DL 2009 . - 1 vol. (399 p.) : ill. en coul., couv. ill. en coul. ; 32 cm. ISBN : 978-2-7541-0401-2 : 39 EUR Bibliogr. p. 393-395. Index Langues : Français (fre) Langues originales : Anglais (eng) Index. décimale : 1400 Huner, giştî | Art, général | Art, general | هونەر، گشتی Permalink : https://pmb.institutkurde.org/opac_css/index.php?lvl=notice_display&id=630

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
IKPLIV103006	1400 INS ART	Livre	1- Salle de lecture | Reading room	1.23 Etagère livres d'art	Exclu du prêt

Binema hunerîyekanî şanoy mindalan le zaroxane û xwêndingakan ; بنەما هونەرییەکانی شانۆی منداڵان لە زارۆخانە و خوێندنگاکان / خەلیل عەلی (2016)

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Binemakanî perwerdey huner le zaroxane û xwêndingekan ; بنەماکانی پەروەردەی هونەر لە زارۆخانە و خوێندنگاکان / خەلیل علی (2016)

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Exposition « Mésopotamie, carrefour des cultures - Grandes Heures des Manuscrits irakiens » / Mathilde Rouxel in Les clés du Moyen Orient, ([22/05/2015])

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Huner le Riwandizê ; هونەر لە ڕواندزێ / زرار محه‌مه‌د مسته‌فا (2013)

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Karikarturstan ; کاریکارتورستان / سید یاسین قریشی (1999)

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Mêjûy goranî û mosîqa kurdî ; مێژووی گۆرانی و مۆسیقا كوردی / فه‌رهاد (عومەر) پیرباڵ (2010)

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Mêjûy hunerî karîkatêr le Kurdistanda ; مێژووی هونەری كاریكاتێر لە كوردستاندا / فه‌رهاد (عومەر) پیرباڵ (2010)

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L'Orient de Saladin / Institut du monde arabe (Paris, France) (2001)

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Portrête tirsawekanî pêşewa Mahmud ; پۆرترێتە ترساوەكانی پێشەوا مەحمود / خەلیل عەلی (2019)

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Récital de Pervin Chakar, soprano / Pervin Chakar (2024)  

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